(514 results found)
Ha-noten teshu’a la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe
… Identity and Nationality in 19th-century Synagogue Music in Europe …
New Perspectives on the Music of the Spanish-Portuguese Synagogues in North-Western Europe
… Music of the Spanish-Portuguese Synagogues in North-Western Europe …
Judeo-Caribbean Currents
… composers, as well as materials drawn from diverse Western European and American sources, attesting to the major impact …
Assessing Abraham Zvi Idelsohn’s Legacy
… attention on the role of literary translation and European models in the aesthetic development of modern … aesthetics, and Jewish nationalism in fin-de-siecle Eastern Europe, I will explore how Idelsohn understood the relationship between European languages, Hebrew translation, and sound in his …
Ashkenazic and Italian Liturgy
… on sonic encounters of Jews and Christians in North Western Europe since the time of the crusades, this paper wishes to …
Contemporary American Jewish Music
… has been looking at the same time toward the Eastern European past and the American (and transnational) future. …
Bloch: Known and Unknown
… Special Symposium Ernst Bloch: The Jew as European and American Composer On the Occasion of the 50th …
The Jewish Bloch
… Special Symposium Ernst Bloch: The Jew as European and American Composer On the Occasion of the 50th … musical narrative of Jewish Cycle and the late phase of European Enlightenment The Jewish Cycle of Ernest Bloch is a product of European cultural mind. Its creation in 1912-1917, together …
Musical Israeliness
… Ben found multiple if still segregated reception among European Israelis as well as among Palestinians and Arabs …
Gesture, Dance and Melody in Traditional Ashkenazi Culture
… Ashkenazic dance, as it had been practiced in Eastern Europe, featured a confluence of two diverse movement traditions – a western European, Germanic tradition based on set figures, and a …