(273 results found)
Hag Purim – The story behind its melody
… 82-83. Example 8 Harry Coopersmith, editor, Little Books of Jewish Songs: Purim , Chicago: Board of Jewish Education, 1928. Example 9 Jacob Schoenberg, Shirei … teachers and sung by children all over the Jewish community in British Palestine (Naor 2008). The songs were …
David de Sola Pool
… to the traditional melodies of the Spanish-Portuguese community. Biographies : Angel, Rabbi Marc. 'Rabbi Dr. David … Activist ,' Conversations, the journal of the Institute for Jewish Ideas and Ideals, Issue 28. 'David de Sola Pool ' at …
Idelsohn’s trilingual autobiography and Yiska Idelsohn’s oral memoire
… 1930s, appeared in 1935. The English one was published in Jewish Music Journal 2, no. 2 (1935): 8-11. The Hebrew one … the special favor of the Duke who allowed her, as the only Jewish pupil, to visit his German primary school. All her … a school for cantors. He gave me a place in a Bavarian community. Brainin approved my action in becoming untrue to …

Hopke (LKT)
… the hopak . (The name hopak was folklorized into hopke .) Jewish kozachok melodies were borrowed, but in the klezmer … in the klezmer repertoire. They did not acquire a Jewish sound. The kozachoks and hopaks that were adopted are … term used mostly by Polish Hasidim like the Modzhitz community. Some informants use it as a synonym for tenzl , a …

Hatikvah: Conceptions, Receptions and Reflections
… culture emerged in Palestine and spread throughout the Jewish world with remarkable speed.It also shows how its practice at ceremonies of Jewish institutions, synagogues, schools and youth … informs us about the modern crisis of the diasporic Jewish community and its splintering into discrete and often …
Dort wo die Zeder: A Forgotten Zionist Anthem in German
… status it acquired exemplify the mechanisms through which Jewish modernity articulated itself on the basis of German … speed with which Dort wo die Zeder spread throughout Jewish (and as we shall see also non-Jewish) spaces as an … moving performance of the song by the cantor of the Jewish community in Basel, Sigmund Drujan-Bollag, took place during …
Baqqashah (Pl. Baqqashot)
… (petition) is a religious practice maintained by several Jewish communities. It consists of gatherings that occur … which up to then had been predominant in the Sephardi Jewish liturgy and piyyut singing in the Middle East, went … them some of the outstanding cantors and payytanim of that community. The Aleppo community possessed a distinctive …
Selihot according to Siftei renanot
… Rabbi Micha Assis … As the High Holidays approach, the Jewish Music Research Centre dedicates the Song of the Month … 18th ICTM Colloquium “Musical Exodus: Al-Andalus and its Jewish Diasporas” held at the Corpus Christi College in … was already established in Talmudic times. Each Jewish community developed a specific mode of Selihot and its own …
Elohim Eshala
… exoticism” that captivated at the time the American Jewish audience. It is clear that the voices of Shoshana … These instruments are not characteristic of the Yemenite Jewish tradition and betray the encounter of Dahiyani with … has to be reminded that in the traditional Yemenite Jewish community the voice of a woman was technically forbidden for …
Purim, Purim, Purim lanu
… to serve as hazzan (cantor) of the flourishing Portuguese Jewish community. In this city, he taught the Oriental Sephardi … Turkey and Greece. Through this collection, the Western Jewish communities became familiar with the songs of Rabbi …