… Western Sephardi ones, is characterized by a repetitive structure in which the same melody is used for the verses of …

… Western Sephardi ones, is characterized by a repetitive structure in which the same melody is used for the verses of …

… … Motifs … East … Ashkenazi … Ashkenazim … Idelsohn A.Z. … Melodic type … Melodic structure … Melodic similarity … Comparative research … …

… Spanish Romancero, its ancestral counterpart. Consequently, melodic variants of individual Sephardic romances often show … of a Sephardic Romancero. Four absolute parameters (formal structure, modality, melodic type, and metric organization) and three relative …

… see NSA Y 09506(1) by Shelomo Venezia. The musical structure of each stanza consists of three melodic phrases repeated in the AABBCCB’B” pattern. This …

… Eastern Sephardi style of Greece and Turkey. The literary structure of the text (see the text below presented … of romance scholarship) is obliterated by the musical structure, a feature noticeable particularly in the ending …

… six stanzas in Hebrew and Arabic alternately. The structure of each stanza is: four verses of two hemistiches, … individual verses, and to repeat material while selecting melodics and the way they are sung, is illustrated very …

… is much more elaborate than in the Moldavian original...The structure of the melody correspondings [sic]” to the …

… well as other Yiddish folksongs that have a similar serial structure, continued to be sung until recently. Serial songs … of Ashkenazi music. These can be found, for example, in the melodic lines, motif and rhythm formulas, and mode … while diminishing the less so. The traditional lyrical melodic structure will be demonstrated by the rare recording …

… is a dirge-like tune in a rhythmic style that stresses the structure of the text in a manner that differs from the …