… a few years before El Fassia.  In her recorded version the structure of Abyadi Ana is AABBCBBC; A and B represent the … while C is the refrain. The orchestra usually repeats each melodic section after the singer.   Other recorded versions … from the two Moroccan (El Fassia and Revach). The melodic contour is different (but the ending cadences of the …

… only the wine barrel appeases her. The song has an additive structure, where each stanza is longer than the previous by … wrote this wonderful and virtuosic song according to the structure, rhyming pattern and spirit of 'The drunken …

… song” and stresses the coincidental similitude in the melodic contour of the songs that at the time he wrote his … progression is embedded in the melody. The most dramatic melodic move occurs in the second phrase that opens with an … as a transcription from oral tradition, underscored by its melodic and textual divergences from most of the other …

… A special effort is made to identify the sources and the structure of the scores, since these may be regarded as  …

… Victor W. | 'טרנר, ויקטור ו 2009 The ritual process: structure and anti-structure . Revised edition with an introduction by Roger D. …

… or “rr”, ’ayin (ע) as “h” and fei (פ) as “ph”. The musical structure of this piece is rather unique. Its compositional … Hebrew psalmody, whereas a musical phrase consisting of two melodic units with clear ending cadences is repeated with …

… famous Purim songs. The most prominent one in terms of its structure and length is a unique cantorial rendition of the …

… with repetition (ABCB)... The examination of the micro-structure of the sections within the tunes reveals a common … one or two bars long... The examination of the scalar structure of the dance niggunim reveals a common repertory … tants ceremony introductory niggunim of various origins, structures and functions. These niggunim are sung at the …

… the workers to take action and strike. It has a simple structure composed of a repeating verse with the same …

… in direct and reverse orders; certain changes to this structure appear at the three first and the last two … attests to the Middle Eastern influence on the piece. The melodic range is limited. The meter is duple, like most …