… was sung among us to a dance, to a padespan or to another type of dance (I have already forgotten the name). I think …

… between the Yiddish folksong tradition and other types of Ashkenazi music. These can be found, for example, in the melodic lines, motif and rhythm formulas, and mode … while diminishing the less so. The traditional lyrical melodic structure will be demonstrated by the rare recording …

… A song of the şarki type combining various themes, all of them of serial …

… of the melody of Hatikvah , i.e. the attribution of the melodic adaptation to Samuel Cohen following his testimony, … is therefore not original to this song but a variant of a melodic pattern circulating in Rumania/Moldavia. [12] … the first thorough analysis of the cross-cultural melody-type to which Hatikvah belongs. In the spirit of …

… (East of the Elbe and Moldau river) (see image no.3). A melodic structure of four phrases, corresponding to the four … that unite all the variants of the three sub-types of the “common” melody into one type. He also points out the features that separate these …

… Jewish musical tradition to refer to the different modal types of Nusa h ei Hatefilah.   Nusa h Hatefilah is the … elements: the combination of motifs that are built from melodic formulas within a scale system and used for … at the end, while keeping the central notes of each motif. Melodic Ornamentation In order to impress the congregation …

… stress qarar-ghammaz relations, like a drone [See Appendix: Melodic Variants (S. Fakhri) mm. 1-2.]. His version is also … in Jewish Communities “Balini-b Balwa,”(بالين بلوة) a Melodic Variant of “Fog al-Nakhal” from Bombay   Among the … specifically to the interests of the Jewish community. This type of new Hebrew songs are intended for haflot (parties) …

… various patterns for biblical cantillation and other types of chanting; paraliturgical songs and the relation …

… known by the name of dance they loved, the Joc , a type of hora common among their gentile neighbors. Although …

… song” and stresses the coincidental similitude in the melodic contour of the songs that at the time he wrote his … progression is embedded in the melody. The most dramatic melodic move occurs in the second phrase that opens with an … short, this is a quintessential European folk melody of the type that can be found in many Jewish repertoires, …