… or Galicia, Rumania, and so on [fn. 3: Here I do not mean melodic variation of one or another  šer  but of the very … character,  skočnes  were almost the same as frejlaxs , and melodically they have no non-Jewish traits.... From what … tell us, the  skočna  among Jews was not a separate dance-type. Usually they called a tune  skočna  if it was a …

… at a common source: flexible beat; four-phrase structure; melodic contour ascending to the fifth degree on “hashivenu” … Rossi’s possible allegiance to a Christian source. The melodic and contrapuntal qualities of the opening closely …

… for the performance of prayers in state events, a “nusach” (melodic formula) was designed for the new prayer on the … already heralded towards the end of the first section), a melodic motif of supplication. The mood of the music in this …

… of melodies was still the primary technique of transmitting melodic formulas of the Sephardic synagogues. Notated … Because of changes in musical texture on account of this type of adaptation, many of the sources were unknown to the …

… cantor from Kurdistan, is one of the many meetings of this type characteristic of early Israeli musical ethnography. …

… a clear beat, which then flows into a dance niggun . This type of performance recalls the patterns of singing …

… version of a liturgical poem ( piyyut ) of the ‘ akedah type included in the morning service of Rosh Hashanah, …

On March 15, 1899, the distinguished scholar, cantor, composer and avid manuscript…

… based on motives from the Raml Maya mode, the refrain’s melodic movement and rhythm departs from recognizable …

… Yemenite (Jewish and Muslim) performance practice of this type of poetry. Also worth noticing is that Damari sings … with unclear beat) and the refrain (“Ve-ha-Kohen”); 2) the melodic contour of the Yemenite song; 3) the accelerando … drones and polyphonic imitations based on distinctive melodic cells from the original tune. Dense textures …