(395 results found)
El guitarrista + Tienes unos ojos niña + El enamorado engañado (El ke toka la kitara)
… nos. 34, 35), have lost the rhapsodic character of the melody that is preserved in Haim's historical recording. …
A Flowering Debate: A Judeo-Spanish Song (not just) for Tu BiShvat
… , vol. 4, no. 24, pp. 35-39 (Figure 6) documents a melody whose descending direction indeed points to makam … of this version is available at this point. Figure 6: Melody of El debate de las flores in Isaac Levy (1965) … this pattern is somehow loose. This rhythmic feature of the melody points to the probable adaptation of a local melody …
La rosa de Mayo + Los bilbilicos (La rosa enfloresse, La rosa enfloressa)
… of the twentieth century (see Attias 1972, no. 78). The melody was adapted at an early stage to religious Hebrew …
Tish-nigunim Ascribed to Yosl Tolner and the Aesthetics of the Genre
… Nigunim (Yiddish nign , from the Hebrew niggun —melody) are chants, some with words but most without, … during festive or memorial meals at the Rebbe’s table. The melody is usually long and contains three or four sections, … of Hasidism in several parodies. For example, a melody of Yosl’s nign, which an informant, Aron Lantsman …
5. Mi-Pi El (De Boca del Dio)
… in the first half of the 18th century, mentions its melody ( Lahan Mi-pi El ) in his manuscript collection of … between the refrain and the verses. They differ from the melody of ‘Mi-pi El’ most commonly known among Sephardim … important historical musical documents we possess of the melody of ‘Mi-pi El’ is the bilingual version included in …
6. Coplas de Hanukkah: Dak Il Tas, Toma El Tas
… composed a Hanukkah piyyut based on its format and melody with the following heading: “Lahan [Melody of] Merquedes mis haverim, semai [Turkish musical …
La luz en el balcón (Avre tu puerta, Avre tou puerta)
… in the modern discography. Yet, the modern versions of the melody are usually metered and differ substantially from the …
El infante cautivo (Carselero i piadoso, Karselero al piadoso, Carcelaro ipiadoso, Karselero ai piadoso, Karselero i piadoso)
… a feature noticeable particularly in the ending of the melody in the middle of verse 4 and in its new beginning on …
9. Nagham
… demonstrates his unique violin style in “Nagham” (“Melody”) in maqam bayat nawa . Recorded in Israel in 1969 …
Noche de Alḥad (Al Dio alto)
… Yosef hasadic . Haim sings four stanzas with the widespread melody characterized by the melodic progression ( seyir ) of … version is slightly faster. Sephardi Ottoman Jews use this melody also for Lekha eli teshuqati by Abraham Ibn Ezra, a …