… … History … Modes … Dalia Cohen … Daniel Meir Weil … The scale system and scale of Tiberian Masoretic cantillations: Were they …

… musical motives. The central notes divide the Lachan's scale to smaller typical groups trichords, tetrachords and pentachords. The intonation of some of the Lachan's scales is complex but interesting. A unifyed scale system of all the 'lachan's (such as that of Gregorian …

… … Magen Avot … Ashkenaz … Ashkenazi … Ashkenazim … Scale … Theory … Scales … Chazzan … Modality … Ashkenazi … Boaz Tarsi … Lower Extension of the Minor Scale in Ashkenazi Prayer Music …

… Institute … … 1963 … Criticism … History … Compositions … Scale … Scales … Intervals … Iran … Dastgah … Persian … Edith …

… This steiger includes characteristic motifs in the phrygian scale with a major third, so we get an augmented second between the second and the third scale steps. When a prayer has a range of more than an … major chord (in this case: C-E-G) and finishes on the fifth scale degree (G) that is emphasized by a repetition. 2. The …

… of the Ahavah Rabbah mode and its symbiosis with the minor scale, and the implications of this similarity on the … compares the different tonal contexts and location on the scale in each liturgical case. … 3 … Journal of Synagogue …

… Music … Song … Israel … Songs … Motifs … Musica mizrakhit … Scale … Scales … Shirei Eretz Israel … Mizrakhim … Land … Israeli … …

… Arabic term often translated as ‘mode’, ‘scale’, or ‘melody.’ … Maqam …

… not in noise and degraded singing. 4. To move from the scale he sings in, after going high and low, to a different scale, far and unknown, and to come back gracefully to the first scale which he left.' הקדמה לספר מאת א. גרוביץ': את חין [חן] …

… From the table of contents: Book I: The Musical Scale Book II: Musical Terminology Book III: The Musical …