(301 results found)
צלילי איוב במערב־התיכון של ארצות הברית: איש רציני יהודי לנוכח עץ החיים הנוצרי
… it was the Lord who’d taken it away. He turned from the passing shows of time. He sought that which is eternal. Does he … מופיע ומזמר ב'סרט המדבר הראשון', זמר הג'אז , The Jazz Singer , המתרחש וגם יוצא לאור בשנות המעבר הללו (1927) ממזרח … Luis Buñuel, 1962, Gustavo Alatriste, Mexico). The Jazz Singer (dir. Alan Crosland, 1927, Warner Bros., USA). …

The Cantorial Fantasia of the Eighteenth and Nineteenth Centuries
… that supplemented and countered the usual manner of improvising traditional tunes. The genuine homophony of synagogue …
Moshe Cordova
… Moshe Cordova Composer, singer, ‘ud and piano player Moshe Cordova (b. Edirne, … the capital city, Cordova pursued his career as a synagogue singer and composer. Parallel to his musical career he … During its heyday in the early twentieth century, Jewish singers from various quarters of Istanbul, as well as from …
Shofet Kol Ha'aretz
… was already in place and could be transferred to the singing of other texts. The thirteen to fourteen century … This cadence is a quotation of the motifs used for the closing masoretic accents of the Pentateuch verses as chanted … Sephardic and Ashkenazi liturgical traditions into a single. In this sense, he reflects his upbringing in the …

Issachar Miron-Michrovsky
… ghetto with other members, and relatives of his family and alongside some 7,000 other Kutno Jews. This short-lived … where he introduced his concept of “ integration through singing ” for soldiers from different countries and … in an article by Oscar Schisgall entitled “ The Sound of Singing in Israel ” (May 1961, Readers Digest ). In the …

Karaite Jews Musical Tradition
… center. It is there that an autonomous community arose alongside the rabbinical community. From within this … each verse, the same motifs appear. The opening [6] and closing motifs [7] in a melody are usually the same in every verse. The motifs between the opening and closing are constantly being developed throughout the …

Assessing Abraham Zvi Idelsohn’s Legacy
… (Openning session) Assessing Abraham Zvi Idelsohn’s Legacy: Eighty Years after the … redefined the international study of music in Jewish life. Using that book as a centerpiece, the three presenters in … intellectual curiosity. The paper will conclude by addressing the question of Yemenite agency in his multi-faceted …
Kaddish
… of the Kaddish. In this case, the requests are to give blessings to the Talmidey Chachamim (Eng. wise students), and … the deceased,during the first eleven months after their passing The Kaddish functions not only as a prayer for the soul …

Volekh (LKT)
… Alpert 1996b, p. 59 . “Wulach, Woloch’l. A tune expressing an elegiac mood, in the manner of Wallachian folk music. The hazanim used to sing a Wulach , for example, for the verse Ana haShem in the … the vollech has often been described as free fantasy. The singer or instrumentalist adds all sorts of embellishments …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… Ashkenazi rite is obscured due to the abandonment of its singing in the liturgy. As the High Holy Days season … was already in place and could be transferred to the singing of other texts. The thirteen to fourteen century … This cadence is a quotation of the motifs used for the closing masoretic accents of the Pentateuch verses as chanted …