A term borrowed from medieval Christianity. It refers to a technique of converting…

… Women burst out with the sounds of korava And lifted their voices in joyous praise. The elders of the assembly were …

… etc. Note that in the recording a dim female voice is heard in the refrain, creating a responsorial …

… – the melody is set as a responsorial piece for two voices with a soloist and the choir alternating. The modal … certain phrases intended for the second and not primary voice in Idelsohn's choral arrangement crystalized as the … the word gedulah ) G is sung instead E. The confusion in voice parts may be the reason that in the 1935 Hawa Naschira …

… tradition of the Sephardim. While a young man, he had a voice of exceptional range. As its brilliance slowly faded, …

… official celebrations), Roni Akara (choir, 1957), Hamavdil (voice and piano, 1957), and Bein Hadasim (soloists and …

… he has performed with Iraqi musicians, members of the Voice of Israel in the Arabic Radio Orchestra. He also …

… from 1876-1882, featured Synagogue music for solo, four voices and optional organ accompaniment. In addition to his …

… written for various combinations of three to eight voices and intended for use 'on all sacred occasions.' We …

… While Idelsohn’s treatise was in one sense a single voice among many, it nonetheless received wide coverage, …