… his companion on the stage. She was known for her powerful voice on stage. In the mid-1910s she became a member of the …

… somewhere between seven and 14, and decided he needed the voice for his choir. According to the narrator, the cantor … the cantor’s employ either of his own accord or because his voice changed as a teenager, and he was no longer useful. He … performer, was distinctly impressed by the young tailor’s voice. When she heard that he’d had to forsake his musical …

… small venues and Jewish community events, where her unique voice and emotive performances quickly garnered attention. … University Press, 2010. Kaplan, Ellen. "Sarah Gorby: A Voice of Jewish Tradition." Journal of Jewish Music and …

… was known for the extraordinarily wide range of his tenor voice. At the age of 26 he moved on to the position of head …

… work is  Twelve Glass Windows of Chagall in Jerusalem , for voice and instruments (1966). In addition, he composed  …

… hazzanut pieces and Yiddish songs in new arrangements for voice and piano by Hajdu. Using a technique that recalls the …

… chazan was Abraham Mordecai Rabinovitz. His strong tenor-voice used to chill me; he had no sweetness in his voice. I remember the Congregation preferred to hear … become my teacher. The above mentioned cantors had less voice than he, but much sweeter, and their singing was with …

… This is the last of eight double-choirs for 8 voices featured in Rossi's "Ha-shirim asher li-shelomoh". …

… A "play song"obscure in meaning, apparently in the voice of a bridegroom asking for advice. The puzzling final …

… my mind. Oh incline Your ears and open Your eyes. Hear my voice and hear my lamentations. Accept my prayers as a …