(266 results found)
Hopke (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … I]. Cahan 1957, p. 491 (#255) . “Other dances performed at weddings in East European communities were:... Redl, … soft rhythmic movement. The hopke is danced by Hassidim at weddings, Simhat Torah (Rejoicing of the Law), and other …
Tants nign (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … (Mazor-Hadju 1974). Dance tunes are performed mainly at weddings and rejoicing festivals such as Simha Torah and Lag …
Zhok (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … “While the zhok had already been transformed into several wedding genres (such as mazltov and opfihren di makhetonim …
Hora (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … horas were frequently used as processional tunes at Jewish weddings and other celebrations.” Alpert 1993, p. 2 . ( …
Gas-nign (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … table, street tunes (accompanying the march to the xupe [wedding canopy], leading the in-laws, etc.)...” Beregovski … street while accompanying guests home at night after the wedding feast or the following day after a solemn meal. The …
Freylekhs fun der khupe (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … While the zhok had already been transformed into several wedding genres... this process had not been completed in the … pp. 10-27 . “‘Freylakhs fun der khupe.’ This rollicking wedding march translates as Freylakh from the Wedding Canopy …
Freylekhs (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … [ mitsve dance], alluding to their frequent use at Jewish weddings to accompany the mitsve [ritual commandment/good … or line dance, the most common in East European Jewish wedding dance repertoire, in 4/4 rhythm... Khusidl, Khosidl, …
Opfirn di mekhutonim (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … table, street tunes (accompanying the march to the xupe [wedding canopy], leading the in-laws, etc.).” Beregovski … di mekhutonim , in which musicians lead a procession of a wedding couple’s families from their homes to the ceremony …
Khupe-marsh (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … melodies for the various situations and moods during the wedding, such as bazetsn di kale, badekns, unterfirung, … Fridkin 1925, p. 46 . “‘ Khupe -march’... for rich wedding... for average wedding... [and] for poor wedding.” …
Bazetsh di kale (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … “The bazetsh di kale , leading from there to where the wedding took place, to the khupe in the large synagogue, and … home -- all to the sounds of a ‘freylekhs’ ... Often the wedding-parade stretched over several streets before leading …