(404 results found)
On a Particular Case of Tonal, Modal, and Motivic Components in Sources for Liturgical Music of East and West European Origins
… Essays in Jewish Studies … 33926 … 145–164 … Jerusalem … World Union of Jewish Studies, Magnes … … 3 … 2009 … Eastern Ashkenaz … Western Ashkenaz … Ashkenazi liturgical music … Ashkenazi … Boaz Tarsi … Tamar Alexander-Frizer … … Modal, and Motivic Components in Sources for Liturgical Music of East and West European Origins …
A Gneyve - A Yiddish Song of Theft and Poverty
… of the poor, as well as the unseemly life of the urban underworld. Ruth Rubin points out how harsh living conditions … begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … points out the connection between the song's theme and the musicality of the melody. In his view, the altered Dorian …
Rabbi Shlomo Carlibach's music in it's cultural context: 1950-2005
… of the most influential figures in the field of religious music to emerge from the American Jewish scene in the 1960s with worldwide repercussions on Jewish liturgical practices since … … … 2008 … Sarah Weidenfeld … Rabbi Shlomo Carlibach's music in it's cultural context: 1950-2005 …
Valtzer (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … difficult to pronounce.” [Turun, Carpathian Mountains, pre-World War II]. Hagalili 1956, p. 163 . “All the girlfriends …
The Jerusalem-Sephardic Tradition
… th centuries and developed under Turkish-Ottoman and Arabic musical influences. Contents The tradition of … This singing is part of the liturgical and para-liturgical musical tradition of communities that descended from Jews … repertoire and of other Eastern communities around the world. Not only a poet, he was very active in teaching the …
Vals (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … others.” Cahan 1952b, p. 89 . “‘To a valts. ’” [Pinsk, pre-World War II]. Cahan 1957, p. 490 (#234) . “‘To a valts. ’”[Warsaw, 1890s; Vashlikove, near Bialystok, pre-World War II]. Cahan 1957, p. 491 (#240-42) . “‘ Valts. …
Tsherkesishen (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … dance with a knife in the hands...”[Dubno, Poland, pre-World War II]. Katshke 1966, p. 667 . … Tsherkesishen (LKT) …
Toyten-tants (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … someone to dance with him and act out his leaving this world.” Roskies and Roskies 1975, p. 232 . “Masked dancers …
Music
… online version, includes many other biographical entries on musicians. This text is available online via subscription ( … ) … 1 … Encyclopedia of the Jews in the Islamic World … Encyclopedia of the Jews in the Islamic World … 33957 … 498-519 … Leiden … Brill … … 3 … Music …
Hag Purim – The story behind its melody
… Ancis for four part men's choir. New York: Transcontinental Music Corporation, 1945. Example 5 Moisei Beregovski, … widely recognized melody in the Eastern European Jewish world, the melody of “ H ag Purim” was previously set to a … Hebrew school in Munkács (part of Hungary prior to World War II; today Mukacheve in Ukraine) dancing the hora …