(12 results found)
Leib Glanz
… His choral arrangements were typified by the use of pentatonic scales and music from the Hasidic tradition. In …
Yehezkiel Braun
… to Idelsohn ’s, that there is common basis, a certain pentatonic scale, for Jewish cantilation – Ashkenazi, … chant. Hence, “It is certainly not an accident that the pentatonic scale serves as a starting point in many of my …
The scale system and scale of Tiberian Masoretic cantillations: Were they pentatonic? Theoretical considerations
… and scale of Tiberian Masoretic cantillations: Were they pentatonic? Theoretical considerations …
The "Proclamation Style" in Hebrew
… melodies examined. These intervals create tetratonic, pentatonic and tritonic patterns which are almost always …
Shofet Kol Ha'aretz
… features that separate these three sub-types. He shows the pentatonic foundations of the melody and its relationship to … became completely dissociated from the old-fashioned pentatonics with their reminiscences of Biblical chant. The … itself is not based on a universal musical language like pentatonics, but uses a strongly profiled Jewish prayer mode …
Shofet Kol Ha'aretz
… that separate these three sub-types. Avenary shows the pentatonic foundations of the melody and its relationship to … became completely dissociated from the old-fashioned pentatonics with their reminiscences of Biblical chant. The … on a “universal musical language” (Avenary’s term) like pentatonics, but uses a strongly profiled Jewish prayer mode …
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… end on 1 . We may also note that the verse uses the minor pentatonic exclusively: 1 , 3 , 4 , 5 , and 7 . Verses with additional te’amim include 2 and 6 , but the minor pentatonic collection remains primary. [24] Finally, there … the variability of practice. Rosowsky also provides a pentatonic theory for the melodies for Torah readings (1957, …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… that separate these three sub-types. Avenary shows the pentatonic foundations of the melody and its relationship to … became completely dissociated from the old-fashioned pentatonics with their reminiscences of Biblical chant. The … on a “universal musical language” (Avenary’s term) like pentatonics, but uses a strongly profiled Jewish prayer mode …
Four Melodies for Four Questions
… th century, most Ashkenazi Jews intoned this text with a pentatonic learning tune without clear beat and meter. This … versions) and one in a minor mode. Both versions are pentatonic or even tetratonic and are characterized by a … the “normal” melody by avoiding 6flat, thus stressing the pentatonic mode with the move 5, 1, 3, 5, 7, 5, 4, 5. Part B …
The “Proclamation Style” in Hebrew Music
… often in their very nakedness forming pure tetratonic, pentatonic, and occasionally - in more rudimentary …