… singing of Sabbath table songs   ( zemiroth shabbat ) among Ashkenazi religious-Zionists in Israel. She was a … lie in historical ethnomusicology, sacred songs of the Ashkenazi domestic sphere, and the cross-fertilization of Ashkenazi and Sephardi liturgical traditions. Source:  The …

… … 10 … 1987-88 … Hazzanut … Analysis … Cantorials … Ashkenaz … Recitative … Compositions … Ashkenazi … Liturgical music … Improvisation … Cantor … Ashkenazi … Max Wohlberg … The Hazzanic Recitative …

… 34664 … 56-57 … Roslyn, New York … Ellipsis Arts … … 1996 … Ashkenaz … Ashkenazi … Kurt Bjorling … Rufn di kinder aheym …

… … 33977 … 46 … Roslyn, New York … Ellipsis Arts … … 1996 … Ashkenaz … Ashkenazi … Dovid Sears … Badekns Nign …

… 33975 … 51-52 … Roslyn, New York … Ellipsis Arts … … 1996 … Ashkenaz … Ashkenazi … Ray Musiker … The Inlaws …

… by the Maccabeans. The 'Ma'oz tzur' melody from the Verona Ashkenazi ritual is a variant of the tune transcribed by … and Turin attest to its longevity among the Italian Ashkenazi communities and its popularity among Italian …

… a prayers during weekdays, Sabbaths, and festivals. In the Ashkenazi and Egyptian Nussa h s it is read in the Musaf … Thy Name in the world') introduces the  Kedushot  in Ashkenazi rite in both the  Sha h arit  and  Min h ah services on weekdays, Sabbaths, and festivals.. Ashkenazis use this opening in the Min h a and Sha h arit …

… Quarterly … The Musical Quarterly … 35578 … 634-645 … … Ashkenazi people … 18 … 1932 … Eastern Europe … Folk music … Folk songs … Ashkenaz … Europe … Melodies … Motifs … East … Ashkenazi … Ashkenazim … Idelsohn A.Z. … Melodic type … …

… Hazzanut, Hazzanim, Hazzanim – Cantors, Cantors … Ashkenazi people … 1 … 1936 … Shabbat … Sabbath … Chazzanut … Festivals … Nusach - Nusah - Nusakh … Synagogue … America … Ashkenaz … Shaharit - Morning prayer … Recitative … Festivals - Shalosh Regalim … Compositions … Ashkenazi … Ashkenazim … Ashkenazi … Joshua Weisser …

… tune.' The main body of the article is a dissection of the Ashkenazi tune into its melodic components and an analysis … (1) the tune is mainly compounded of patterns derived from Ashkenazi (especially South German) cantillation motives of …