… The Jewish Music Research Centre of the Hebrew University of Jerusalem … and aunts, as women were primary bearers of this lore. Ethnomusicologist Susana Weich-Shahak of the JMRC, who held a … , wedding songs, and endechas for philologist Manuel Alvar, musicologist Arcadio de Larrea Palacín, and …

… line of the opening stanza, is the refrain (same words and music are repeated) and x, the last line of the rest of the … Shofet kol ha’aretz.” This is the earliest mention of the music of our poem, and obviously it indicates that in the … the High Holidays. In a thought-provoking article on the music of Shofet kol ha’aretz in Ashkenaz, our teacher of …

… born in Kiev, Russia, in 1905. Although he was born to a musical family, his musical education consisted mostly of a handful of piano … lessons. During his childhood, Zeira listened to classical music in both Operas that he went to with his mother, and …

… Childhood and early musical career Yossef (Yusuf) Zaarur (يوسف زعرور) was born … al-Kabbir was a source of inspiration for the younger musician. He owned the modern-styled coffeehouse Sawwas on … Meir Zaarur, was a watchmaker and jeweler. Although fond of music, he was not pleased to see his son’s early inclination …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … n. 81] .  “ Gas-nign .” Beregovski/Goldin 1987, #62-79 . ( Musical notation included).  “Concerning those melodies …

… the family returned to Tel Aviv. Zehavi did not study music in an orderly manner due to lack of means. His older sister, Leah Goldis, pushed him to get a musical education and playing the violin. But Zehavi … in the kibbutz as an electrician, he organized a choir and music events in which he also began composing. Slowly he …

… in that the piyyutim are arranged according to the maqamat (musical modes) in use in the court music of the Ottoman Empire during the author’s lifetime. … required his piyyutim to be sung are borrowed from the musical culture of the Sephardi Jews of Spain (tunes of …

… aims to map, analyze and make German Jewish liturgical music ( minhag Ashkenaz ) accessible to the scholarly … for the symbolic public display, through the language of music, of new evolving aesthetic ideals, of Jewish public … of this project is that a new paradigm of Jewish liturgical music developed in German-speaking communities parallel to …

… mibeit Abba", produced by  Renanot : Institute for Jewish music. CD1703 in the National Sound Archive.  Score example … the typical melodies of the yearly cycle was a widespread musical custom of German-speaking Jews. [2] In many ways … emphasized how the domestic and public spheres shared a musical repertory. By the second half of the twentieth …