Encyclopedic entry

Depicts the challenges and successes of a woman musician living in 17th century Venice

A collection of Sephardi chants as sung in Florence.

… and cultural aspects of Jewish existence in trans-alpine Europe and appear to explain the narrative’s major role in … rite ( minhag ’Ashkenaz ); we have not discovered any Eastern Ashkenazi ( minhag Polin  and minhag Lita ) … whereas the left column is entitled Minhag Polen (i.e. Eastern Ashkenazi rite) and contains the piyyut ’Omnam ken …

… the kaddish, before reciting Psalm 84. Some of the western European Sephardic communities excluded the Pitum HaKtoret … study. In still other communities, such as the western European Sephardim, the cantor chants the last three prayers …

… its distinctive waltz rhythm and major scale, betrays its European pedigree. For a version from Sarajevo, see below … la niña: Ya cayí, ya cayí n’el amor. … 10 … 7 … 40805 … Eastern Mediterranean Judeo-Spanish Songs from the EMI … … Sephardi music … Salonica … Saloniki … Thessaloniki … Eastern Sephardi … 10. La seducida en la fuente (CES) …

… shers, kozakl, polke... ” Stutschewsky 1959, p. 164 .  “Eastern European Jews were accustomed to invite each guest to a …

… have a unique melody. However, in the Ashkenazi Nussach of Eastern Europe, for example, there is a tendency to perform the …

… Achron toured extensively as a concert violinist throughout Europe and the Near East , finally settling in New York in … the Leonid Nevzin Center for the Research of Russian and European Jewry.   Joseph (Yussl) Achron, Jewish violinist … gave with great success concerts in various cities of the European part of the Russian Empire. On the occasion of the …