… to have been the main trait attracting people to him, as newly arrived immigrants from Iraq (from 1952 onwards) … where the musical tradition of their ancestors as they knew it was preserved. He also read the Torah swiftly, … as expressed by his children. Havusha, who as a youngster knew Huri as a friend of his father, describes him as “a …

… music researcher and third generation Monastirli living in New York City, initiated the present project after processing …

… of contrafactum that has characterized the composition of new piyyutim in the Middle East for many centuries. The … Ottoman Empire, the Aleppo muwashsha h at and the rising new styles of Egyptian Arabic music developing from the late 19 th century onwards. The new Egyptian song became hegemonic throughout the Arab world …

… עמודים נמצאים בארכיון של מכון ליאו בק (15 West 16th Street, New York, NY 10011) ומקוטלגים כ-MS 155/MSF 13. כתבי יד אלו …

… of most of the youth. In proportion to its decline, a new element, which began to arrive around 1900, is steadily …

… into the formerly East European Jewish communities of the New World. But as Tesler-Mabé clarifies, Unger’s Jewishness … Only that Toronto, especially at the time, is not New-York, and Unger is certainly no Bernstein. In this …

… he plays a little mad, but never too far from the melody.” [New York, 1950s-1990s]. Musiker 1996, pp. 51-52 . ( Recording … happily. Both mothers-in-law also perform this dance.” [New York, 1970s]. Seid 1975, p. 15 .  “The ‘beroyges’ and …

… symbolic public display, through the language of music, of new evolving aesthetic ideals, of Jewish public emotions, of … basic theoretical underpinning of this project is that a new paradigm of Jewish liturgical music developed in … the enrichment of this “pure” cantorial heritage with new choral music, usually for four voices a capella …

… ‘Simele,’ ‘Karerod,’ ‘Freilakh,’ ‘Bulgar,’ and ‘Valakhs.” [New York, 1970s].  Seid 1975, p. 15 .  “The Doina, or Voloch, is … suite: Doina, Zhok, Bulgar. The soloist leads into each new section by setting a vamp in the next tempo.”  Sokolow …