… importantly with the shift in the order of the first and second stanzas that turned ‘od lo avdah tiqvatenu’ into a … Relations , ed. Zvia Ginor. Hoboken, NJ: Ktav and Temple Israel of Great Neck, NY, 1999, pp. 167-185. See also … p. 66. [24] Paul Nettl, National Anthems, New York 1952; 2nd enlarged ed., New York, 1967, p. 24; Felipe Pedrell, …

… ‘Likhvod shabbat bat kevavat’ consists of two sections, the second of which is ‘Bo’i Kallah’ mentioned above as part of … Shabbat in various Italian synagogues until at least the second half of the eighteenth century as attested by its … well-known and respected Jewish intellectual figures of the second half of the twentieth century. Rav Di Segni recorded …

Charles B. Hersch, Jews and Jazz Improvising Ethnicity. New York: Routledge, 2017…

… public musical performances in the modern orthodox Great Temple on Paso Street , next to another Polish-born musician … the archive of Néstor Stofblat) In 1959 Léibele and his second wife went to Johannesburg, South Africa where he …

… in Leningrad. This rare, fragmented recording of forty-four seconds, is not only a live testimony of the persistence of … in the contemporary American Jewish repertoire. A second, unidentified female voice joins Belarsky in the … Farband Culture Chorus and the music and choir director of Temple Anshe Chesed in New York City. Thus, the inclusion of …

… additional verses are omitted from this translation. The second part of each line is repeated. Text Oh Lord hidden …

… of the organization of Jewish cantors in Poland; the second, in English, was printed half a year later in Jacob …

… the record as Bikel’s solo album his voice is doubled by a second one on several items. This is the voice of Raphael (Ray) Boguslav (1929-2010), who is listed as “second guitar”.  A graphic designer, Boguslav was active in … the lower register in a narrow range of a fifth. The second section contrasts with the first in its intensity: it …

… often they are in the “gypsy minor” with two augmented seconds (the raised fourth and the raised seventh). They are … the dominant rather than the tonic. They often have a minor second leading to the tonic as a cadence; for example in the … triads with an added major sixth (emphasizing the augmented second). Alexander Schitomirsky,  Ach ich wolt gehat Israel …