(433 results found)

The Biblical NEBEL
… in the night-time.” – “ That was the curious incident”, remarked Sherlock Holmes ). Lastly – some of the most …

Remarks Concerning the Use of the Melograph in Ethnomusicological Studies
… over the years. We shall limit ourselves to some general remarks, and then dwell more specifically on an example that … … Research methods … Ethnomusicological Research … Remarks Concerning the Use of the Melograph in …

The Reading of Marka’s Poems by the Samaritans on the Sabbath (Hebrew)
… Prayer … Poetry … Poets … Poet … Sabbath … The Reading of Marka’s Poems by the Samaritans on the Sabbath (Hebrew) … …
Bernardo Feuer
… Empire but now in Ukraine. He was the son of Mordechai [Markos] Feuer and of Rojme [Roshme] Pese, who died when Feuer … poets such as Chaim Nachman Bialik, Isaac Leib Peretz and Mark Warshawsky, children's music, liturgical music, choir …
Rabbi Meir Eleazar Atiya
… have been more symbolic for his death, as this Shabbat marks the end of the bakkashot season according to the … always in calling me “Professor Edwin,” he opened his remarks with his characteristic and unmistakable humbleness by …
El Incendio de Saloniki: The Song of the Fire
… the poor neighborhoods, in the wealthy villas, and in the marketplace of [the] city.” 9 Yannatou’s version, although …
The medieval Hebrew song Kikhlot yeini and its Purim connections: New sources on its music
… Ashkenazi lineage Ayelet Ettinger (note 1 above) remarks that in spite of its lay subject, which includes a … , as was customary in that competition. What is most remarkable about Bayer’s setting is its genetic relationship to … th century German Jewish tune discussed above. The most remarkable resemblance occurs in the setting of the refrain in …

Max Lempel
… His outdoor concerts in Tel Aviv during 1927-1929 were remarkable events for their time. He was also active in the …
Four Melodies for Four Questions
… , Jerusalem 1978, Hilkhot seder Pessah , fol. 15a). This remark by the most authoritative source on the Ashkenazi … role, creating the musical peak of the whole piece. C (1) marks the ending cadence and F (4) serves as the preparation …
Debbie Friedman’s Shema’ Koleinu: An ancient prayer in a new musical garment
… AL: The University of Alabama Press, 2006), 173-208; Mark Kligman, “Contemporary Jewish Music in America,” …