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Shir hama’alot - The umbilical cord between liturgical and domestic soundspheres in Ashkenazi culture

… Lekha dodi, certain psalms from the Hallel, Adon olam, Mevarkhim ha h odesh, etc. These 'temporal' melodies were later … services. Therefore the survival of these melodies as a marker of liturgical time remained alive through their …

In Zaltsikn Yam - A Yiddish Workers' Song

… Vol. 9: the folk song of the East European Jews .‎ Newark: Ktav Publishing House. Roskies, David. 2002. …

Had Gadya in Israeli Culture

… ,’ ‘ La petite fourmi qui allait à Jérusalem’ ) bear remarkable resemblances to H ad Gadya. German, French, and … but also transforms the music by Branduardi to create a dark and angry H ad Gadya. The main musical parameter to …

Had Gadya

… ,’ ‘ La petite fourmi qui allait à Jérusalem’ ) bear remarkable resemblances to H ad Gadya. German, French, and …

Shir HaKavod

… alphabet. It is customary to recite the Piyyut when the ark holding the Torah scroll is opened. In his book Shnei …

Anim Zemirot

… alphabet. It is customary to recite the Piyyut when the ark is opened. In his book Shnei Luchos ha-Bris (also known …

Arvit

… h begins by inviting the congregants to prayer with the Barkhu blessing. This is followed by the recitation of the … of turmoil and stress. Following this, the cantor chants “Barkhu et hashem hamevorakh,” to which the congregation, followed by the cantor, reply, “Barkhu et hashem hamevorakh le'olam va'ed.” According to …