This entry is part of the Lexicon of Klezmer Terminology (LKT). The LKT…

… is also known as Freygish . When the prayer includes a range of more than an octave, the sixth step under the … the second and the third scale steps. When a prayer has a range of more than an octave, the sixth step under the … 2. The Development Motif – this motif develops the upper range and establishes the minor chord that is built upon the …

… 1984 תשמד … Music … Piyyutim … Piyyut … Art Music … Art … Arrangements … Sephardi music … Sephardi … range … Eastern Sephardi … שני עיבודים לפיוטים בנוסח …

… … Niggun … Manuscripts … Hebrew … Niggun … Niggunim … Arrangements … Accompaniment … Hebrew song … Hava Nagila … range … Ashkenazi … Abraham Zvi Idelsohn … Hava Nagila …

… … Niggun … Manuscripts … Hebrew … Niggun … Niggunim … Arrangements … Accompaniment … Hebrew song … Hava Nagila … range … Ashkenazi … Hava Nagila Manuscript—Hebrew title with …

… natural voice was a baritone, but he sang in the tenor range. He mastered both the Eastern European and Western …

… works. His works, influenced by his teacher  Ben-Haim , range between light classical, based on folk tunes (early in …

… pertinent. This album contains a selection from the varied range of recordings made by Naomi Bahat-Ratzon and Avner …

… click on the link above. … A recording of Hava Nagila arranged by Naomi Shemer and performed by Benny Amdursky and … … Accompaniment … Israeli song … Vocal … Hava Nagila … Arangement … range … Israeli … Benny Amdursky … Naomi Shemer … Israel …

… most likely came across this song in the vocal arrangements by Alexander Schitomirsky (in Kisselgoff, … no. 44) or Joel Engel (1923, no. 24). Stutschewsky’s arrangement shares the A freygish tonality with … to song no. 8 of this album. "Unter dem kinds wigele"  arranged by Alexander Schitomirasky (Kisselgoff, Schitomirsky …