Pars I, cap. xiv, 7. 'De accentibus usus musicus,' pp.243-61; pars II. cap. ix 'In quo…

… occidentale: XIIIe – XX siecles … 38065 … 275-280 … Paris … … 1984 … Jean Louis Miege … Amnon Shiloah … …

… Cahiers du Judaïsme … Cahiers du Judaïsme … 38006 … 64-71 … Paris … Alliance israelite universelle … … 5 … 1999 … …

… en archaeologie musicale … 37793 … 129-135 … Paris … … 1994 … Archeology … Annie Caubet … Catherine …

… the war, he continued studying piano and composition in Paris, and immigrated to Canada in 1949. There, he taught at …

… of 1956, Hajdu left his home country. He settled in Paris, a site favored by many Hungarian dissidents, and continued his studies at the Paris Conservatoire under illustrious teachers of the … is a testimony to this experience. Upon his return to Paris, Hajdu gradually immersed himself in Judaism and …

… Elie Tordjman, and Solomon Nahmias meet at a synagogue in paris where they discuss and sing songs of the Sabbath and …

… Offenbach took him and his brother Julius (age nineteen) to Paris to continue their formal musical education and to … for employment. Jacques was admitted to study cello at the Paris Conservatoire and both boys earned their keep by … continued to submit his work to be staged by local Parisian theaters, but met with little success. In 1850 he …

Kwartin’s improvisations on traditional synagogue melodies were recorded and transcribed…

… הצרפתי דביוסי. בשנת 1925 פירסם את הספר  Temples of the Paris Consistoire - קובץ של עיבודים ליטורגיים לתפילות שבת …