… manner, that originated in Walachia, in Romania. Its scale is characterized by an augmented fourth degree in the … D E F G # A B C D ... Carl Engel maintains that this scale emanated from Asia and appears in folk songs of …

… detailed discussion on the Aeolian and altered Phrygian scales recalls the debate between two prominent Jewish … Jewish Folk Music: Lazare Saminski, who praised the Aeolian scale and regarded the Phrygian scale as its corruption, and Joel Engel, who considered the …

… introductory remarks about the 'predominance of certain scales' in folk music of various peoples, the tendencies of …

I spent the summer of 1989 living in a Nazareth Illit (today Nof HaGalil) neighborhood…

… chant also has clear musical features, with a variety of scales, motives, contours, resting pitches, final pitches, … a variety of music-analytical tools (not only in terms of scales, as is often done), compare the modes with each … of Jewish music since Idelsohn—to refer not only to a scale, but also to characteristic motives, pitch …

… the various choruses active in the camp.  Ullmann’s largest scale work produced in Terezín is undoubtedly his opera Der …

… Klein organized clandestine rehearsals and small scale performances for his fellow prisoners. Since Klein had …

… of D minor, with a brief modulation to the parallel major scale. It might be suggested that this modulation is a … a modulation of the tonic chord from minor to major. The scale used in this stanza is the Hassidic mode (Shteiger) …

… title of  wanax  (e.g., Snodgrass 1988). Furthermore, the scale and staying power of the island’s “Hellenic” element …

… cadence. The harmony stays simple as well. It is in a minor scale giving this song a gloomy atmosphere and attaching to … utilizes only the first, fifth and fourth degrees of the scale. The above mentioned bars have a short modulation to the parallel major scale; it is a sudden change in the harmony which fits to …