Synagogue Music in the Baroque Vol. 1
Synagogue Music in the Baroque Vol. 2 - Dove in the Clefts of the Rock
Editor
Hosha'na Rabbah in Casale Monferrato 1732.
Works from the 18th century repertory of the communities of Amsterdam: cantatas and choral works; and Casale Monferrato: A Musical Ceremony for Hosha'na Rabbah, from 1732.
Material Type:
Recordings
Year:
1994
Synagogue Music in the Baroque Vol. 3 - Dio, Clemenza e Rigore
Poesia religiosa ebraica di età barroca, l'innario della confraternita Šomrim la-boqer (Mantova M12)
Oratorio Ester, The Salvation of Israel by Esther (program brochure)
Program brochure for the gala concert and modern world premiere of Oratorio Ester, The Salvation of Israel by C. G. Lidarti (music) and Rabbi Jacob Raphael Saraval (libretto), May 30th and 31st, 2000. Includes the Hebrew libretto with Englsih translations and short articles about the composer, the oratorio, music in the Portuguese Jewish community of Amsterdam and the discovery of the manuscript in 1997.
Material Type:
Books
Year:
2000
Italy: Salamone de Rossi -Between Worlds
Documentary. English.
Director, script, editor: Tlalim, Asher
Executive Producer: Jochsberger, Tzipora
Hebrew version
Complete film on Youtube, courtesy of the Steven Spielberg Jewish Film Archive Virtual Cinema:
Material Type:
Films
Year:
1995
The Music of the Jews of the Diaspora up to 1800
La pratique musicale savante dans quelques communautes juives en Europe aux XVIIe–XVIIIe siecles
Author
Covers the emergence of the practice of Western Art Music in European Jewish communities (Italy, Southern France, Amsterdam) prior to the nineteenth century. Includes detailed descriptions of the repertoires, their contexts of performance and their composers. This work manifests the implicit desire of Jewish music scholars to inscribe a Jewish presence in the predominant Christian and Eurocentric music narrative of modern Musicology.
Material Type:
Books
Year:
1966
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.