Sabbath Evening
Composer
Collection of original compositions and arrangements for the Shabbat Evening Service.
Material Type:
Books
Year:
1911
Sabbath Morning
Composer
Collection of original compositions and arrangements for the Shabbat Morning Service.
Material Type:
Books
Year:
1909
Synagogue Song in America
Author
A survey of the Ashkenazi liturgical music, its history and forms.
Material Type:
Books
Year:
1989
The High Holy Day Service: The Complete Musical Liturgy of Rosh Hashanah and Yom Kippur for the Hazzan
The Cantor: an Historical Perspective: a Study of the Origin, Communal Position and Function of the Hazzan
Author
Traces the origins and development of the office of the synagogue cantor, a central position in the musical life of any Jewish community. The author draws from sources attesting the functions and duties of the cantor, as well as attitudes towards him, from early rabbinical to early modern writings
Material Type:
Books
Year:
1972
Otzar ha–hazzanut: a Thesaurus of Cantorial Liturgy
Composer
Services for Sabbath eve and morning, Three Festivals, New Year, and Yom Kippur, for cantor (solo). Originally published.... (please complete)
Material Type:
Scores
Year:
1952
שירי דוד: Schlussgebet fur Jom-Kippur
Composer
Originally published in 1895, this collection was re-printed by the Sacred Music Press as part of the Out of print classics series of synagogue music. It includes music for the Neilah Service on Yom Kippur set for solo and mixed chorus.
Material Type:
Scores
Year:
1955
שירי דוד: Gebete und Gesange zum Eingang des Sabbath
Composer
Originally published in 1901, this collection was re-printed by the Sacred Music Press as part of the Out of print classics series of synagogue music. It includes music for the Kabbalat Shabbat service set for solo, mixed chorus and organ.
Material Type:
Scores
Year:
1955
Zemirot Yisrael
Author
Synagogue chants and choruses, partly with piano or organ accomp
Material Type:
Scores
Year:
1864
Die Entwicklung der synagogalen Liturgie bis nach der Reformation des 19. Jahrhunderts
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.