Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz
Geoffrey L. Shisler
The website of Geoffrey L. Schlisler, a Rabbi, Cantor, Composer and Educator, is devoted to Chazanut and its history, including historical writings on chazanut and biographies of many past chazanim. The website also includes Shisler’s own recordings and publications.
Or Haganuz: Gems of Ashkenazi Hazzanut and Yiddish Songs Revived
Material Type:
Recordings
Year:
2015
Cross-Repertoire Motifs in Liturgical Music of the Ashkenazi Tradition: An Initial Lay of the Land
Author
The earlier version, entitled “Cross-Repertoire Motifs in the Liturgical Music of Ashkenazi Tradition,” was presented at the World Congress of Jewish Studies, Jerusalem, 2013. This article is an expanded and elaborated version of that paper.
Material Type:
Articles
Year:
2015
Chants Pour un Shabbat
Directed by Izza Genini
Material Type:
Films
Year:
1989
Hirsch Weintraub from East to West
Author
Thesis dissertation concerning cantor-composer Hirsch Weintraub.
Material Type:
Books
Naarizokh נעריצך
Composer
Composer
Composer
Composer
Composer
For choir with (or without) solo voice. This is a part of a manuscript from the end of the 19th century.
Material Type:
Scores
Chants de sable et d'etoiles - Chants of Sand and Stars
90 min. French, Hebrew, Arabic, Yiddish, Ladino, and English w/ English subtitles
Director: Nicolas Klotz.
Documentary on the importance and utilisation of traditional music in Sephardic Jewish communities - from the Middle East, via America, to Africa. A unique compilation of footage of chazzanot, or Jewish liturgical pieces, from across the Jewish world, and an investigation of its influence on other communities and visa versa.
Material Type:
Films
Year:
1997(?)
Shirei Beth Hakneseth
Composer
88 compositions for Hazzan and choir for the High Holidays, as well as 15 Recitatives for Hazzan alone
Material Type:
Scores
Year:
1952
Shirei Beth Hakneseth
Composer
26 compositions for Hazzan and choir for Shabbat and Festivals, as well as 13 Recitatives for Hazzan alone
Material Type:
Scores
Year:
1951
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.