Wa-eda mah
Arrangement
Recording of "Wa-eda mah" from Obadiah the Proselyte's Hebrew musical manuscripts, arranged by Andre Hajdu and performed by the Jerusalem Children's Choir under conductor Yonatan Lesser.
Material Type:
Recordings
Mi 'al har hôrev
Arrangement
Recording of "Mi 'al har hôrev" from Obadiah the Proselyte's Hebrew musical manuscripts, arranged by Andre Hajdu and performed by the Jerusalem Children's Choir under conductor Yonatan Lesser.
Material Type:
Recordings
Hava Nagila
Arrangement
Click Here for Slide Show
This entry is part of an online exhibit entitled: "Hava Nagila: From Idelsohn to Belafonte & Beyond," prepared by Eva Heinstein with help from the JMRC staff. To view the exhibit in its entirety click on the link above.
Material Type:
Recordings
Hosanna or ‘Hilk, O Herr Uns’: National Identity, the German Christian Movement, and the ‘Dejudaization’ of Sacred Music in the Third Reich
Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies Outlines the efforts of government officials to “Germanize” and “dejudaize” the texts of sacred choral works, such as Christmas carols and traditional hymns, by modifying the verses to reflect Nazi ideals. Includes a suggested reading list on the subject.
Material Type:
Articles in Books
Year:
2002
Anthology of Jewish Music
Editor
Contains Eastern-European Ashkenazi chants and Hasidic melodies as well as some choral arrangements of the same. The Anthology also contains original compositions of Jewish composers, most importantly Arnold Schonberg's last compositions 'Mima'amakim" (in Hebrew).
Material Type:
Scores
Year:
1955
Sabbath Morning Service
Composer
Musical setting for the Shabbath morning service using the Union Prayer Book. Arrangement for cantor, chorus [SA] and organ.
Material Type:
Scores
Year:
1950
Shirei Beth Hakneseth
Composer
88 compositions for Hazzan and choir for the High Holidays, as well as 15 Recitatives for Hazzan alone
Material Type:
Scores
Year:
1952
Shirei Beth Hakneseth
Composer
26 compositions for Hazzan and choir for Shabbat and Festivals, as well as 13 Recitatives for Hazzan alone
Material Type:
Scores
Year:
1951
Day of Atonement, Eve of Atonement
Composer
Collection of original compositions and arrangements for the Yom Kippur Service.
Material Type:
Books
Year:
1913
New Year Evening and Morning
Composer
Collection of original compositions and arrangements for the Rosh Hashanah Service.
Material Type:
Books
Year:
1910
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.