Moritz Rosenhaupt
Terezin Music Foundation
This website is dedicated to the preservation, performance, and research of the music written by composers who perished during the Holocaust, with a special emphasis on those in Theresienstadt. Includes information about the foundation's research activities, archives, and educational programs, as well as a calendar of upcoming musical performances. (Description found on US Holocaust Memorial Website; Music, Web Resources)
Srul Irving Glick
This site includes biographical notes about Glick, his works and repertory, as well as some sound examples.
Israel Music Institute - Israel Music Information Centre
The Israel Music Institute (IMI) is the first publicly owned publishing house in Israel.
Anthology of Hassidic Music
Leksikon fun Yidishn Teater
Leonard Bernstein : a life
Kaddish
Composer
Poem for a high voice (without text), or also for violin or flute or oboe and piano.
Material Type:
Scores
Year:
1926
The Messiah Rapsody
Composer
Author
For three part women’s chorus and piano. The poems are by Solomon ibn Gabirol, translated from Hebrew by Israel Zangwill.
Material Type:
Scores
Year:
1945
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.