Ghetto und KZ Lieder aus Lettland und Litauen
Editor
Collection of Yiddish folksongs from ghettos and Concentration Camps. Location in JNUL: JMA 4138
Material Type:
Songsters
Year:
1947
Yiddish song in contemporary North America
Author
Ph.D. dissertation (location at the Music Dept. of the Israeli National Library: JMB 2843)
Material Type:
Books
Year:
2004
Commemoration and creativity : remembering the Holocaust in today’s Yiddish song
Ethnicity & Legitimation in Contemporary Israel
Mir trogn a gezang! Favorite Songs of Our Generation with Yiddish texts and music, parallel transliterations, historical background, synopses, guitar chords
Introduction by Theodore Bikel, illustrations by Cecelia G. Waletsky.
Yiddish title: מיר טראגן א געזאנג
Material Type:
Songsters
Year:
1977
Songs of the Jews of Calcutta
Author
Songs in Aramaic or Hebrew and English translation in parallel columns; introductory matter in English.
Hebrew title: בקול ערב (BeKol Arev)
Material Type:
Books
Year:
1991
Songs of the Chassidim: An Anthology
Editor
Unaccompanied, with chord symbols. "almost half the numbers have been arranged so that they may be sung by two part chorus". Hebrew words transliterated; also given as Hebrew text with English translation. Also published by Cedarhurst, N.Y. : Tara Pub., c1968-1971
Material Type:
Scores
Year:
1968-1971
Cross-Cultural Dynamics in Musical Traditions: the Music of the Jews of Cochin
Cultural Stability and Change in a Minority Group: a Study of the Liturgical and Folk Songs of the Jews of Cochin, India
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.