My Life: A Sketch
https://jewish-music.huji.ac.il/sites/default/files/02%20E%20My%20Life%20-%20A%20Sketch%20-%20AZ%20Idelsohn%20p18-23%20plus%20title%20p.pdf
The Cantorial Fantasia of the Eighteenth and Nineteenth Centuries
https://jewish-music.huji.ac.il/sites/default/files/03%20The%20Cantorial%20Fantasia%20of%20the%20Eighteenth%20and%20Nineteenth%20Centuries%20--%20H%20Avenary%20mus%20exs%20title%20p%20abbreves.pdf
Bernardo Feuer
Bernardo Feuer was born on May 1st, 1910 in Lemberg [Lviv], a city then part of the Austro-Hungarian Empire but now in Ukraine. He was the son of Mordechai [Markos] Feuer and of Rojme [Roshme] Pese, who died when Feuer was a child. His father worked as the caretaker of a synagogue and the family had four children: Alter, Miriam, Isaac and the youngest, Bernardo.
May 1, 1910 - November 23, 1967
Golden Voices of Israel
Material Type:
Films
Yossele Rosenblatt: The story of his life as told by his son
Author
The life story of cantor Yosef (Yossele) Rosenblatt as told by his son (Discography on pages 369-371).
Material Type:
Books
Year:
1954
The Hazzan’s Manual
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For voice solo or with piano accompaniment.
Material Type:
Scores
Year:
1971
Tikanta Shabbat
Composer
Arranged for cantor and SATB chorus and organ or piano.
Material Type:
Scores
Year:
1976
Naarizokh נעריצך
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For choir with (or without) solo voice. This is a part of a manuscript from the end of the 19th century.
Material Type:
Scores
Tefilot le Moshe- Sabbath Evening Service
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.