History

Free-Form Recitative and Strophic Structure in the Hallel Psalms

Co-author
Co-author

The Hallel of the Hungarian Jews is divided into two parts: the first six sections are in recitative style, the next five sections are metrical, and the 12th section is again recitative. The recitatives are derived from the maqam principle, but the metrical tunes may be considered folk songs, and are influenced by other cultures.

Material Type: 
Articles in Journals
Year: 
1979-80

Alberto Hemsi, Coplas Sefardies (SMR Bresler Collection)

Performer

Al ruido de una fuente
Dia de alhad
Sentada en mi ventana
Alevantex vos toronja
Una matica de ruda
Tres hermanicas
Ah! el novio no quere dinero!
Estávase la mora en su bel estar
Durme, durme, hermoso donzella
El rey por muncha madruga
Como la rosa en la güerta
Dicha me avian dicho
Arboles lloran por luvia
Torondon
Ya salió de la mar la galana!

Material Type: 
Recordings
Year: 
2005

Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich

Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies Presents an overview of the role musicologists and music scholarship played in Nazi efforts to reshape German society. Outlines the efforts of scholars to reinterpret German music history to support Nazi ideology and discusses the denazification of musicologists after the war. Includes an extensive bibliography and an index.

Material Type: 
Books
Year: 
1998

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