Uncle Moses
Directed by Sidney Goldin and Aubrey Scotto
Material Type:
Films
Year:
1932
Living Orphan - Lebediker Yosem
Directed by Joseph Seiden
Film about the hardships of Jewish immigrants in New York City during the 1930s.
Excerpt from the film:
Material Type:
Films
Year:
1937
The Unfortunate Bride
Directed by Maurice Schwartz
This 1926 silent film was re-edited and had dialogue and music added to it in 1932. It's theme is similar to many other Yiddish films of that era. It is about the conflict between the traditional and modern ways of life that greeted Jewish immigrants upon their arrival in America.
Material Type:
Films
Tarbut
Directed by Ilan Eldad
Material Type:
Films
Year:
1966
Mothers of Today - Hayntige Mames
Directed by Henry Lynn
Material Type:
Films
Year:
1939
Iraq N’Roll
Directed by Gili Gaon
Film about Israeli musician Dudu Tassa and the music of his grandfather and great-uncle Daud and Salah al-Kuweiti respectively who were some of the most important musicians in Iraq during the 1930s.
More information on the film can be found at Ruth Diskin Films' Website.
Material Type:
Films
Year:
2011
Flight to Freedom
Material Type:
Films
Year:
1949
Falashas No More
Produced by Helen Marmor
Material Type:
Films
Black over White
The concert in Addis Ababa is not just another performance by the Idan Raichel Project, but a journey back to the homeland of two of the Project's lead singers, Cabra Casay and Avi Vograss Vesa. The film raises questions about identity and seeks to reawaken the pain of immigration, which is still there even after so many years, rekindling the authenticity and bond to the place that will exist forever in their minds and hearts.
Material Type:
Films
Almonds and Raisins
Directed by Russ Karel
Material Type:
Films
Year:
1984
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.