Ten Zemirot Ami: New Melodies for Piyyutim from the Aleppo Mahzor (1527)
Ahavat ‘Olamim: Andalusian Hebrew Song from the Maghreb to Jerusalem
Kulmus Hanefesh: A Musical Journey into the Hassidic Niggun
A descriptive bibliography of art music by Israeli composers
Neimei Zmiroth Israel [The Heirs of the Psalmist: Israel’s New Music]
Author
A review of Israeli art music composers and their musical style. Each chapter is dedicated to one composer and includes a biography, portrayal of his\her musical style and review of important compositions. The main text was completed in the 80s, and this book is added with a chapter about later composers, written by Bat Sheva Shapira.
Material Type:
Books
Year:
1990
Rhapsody on a Jewish-Yemenite song for piano and strings
Mul Hanerot
Like Two Branches
Author
Composer
Cantata (text in Arabic by al-Khansa, a 7th century Arabic woman poet) for chamber choir, two oboes, ḳanun (or piano), 'cello, a set of ṭar-drums with supplements.
Material Type:
Scores
Year:
1989
Musikinesis
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.