Traces of Jewish Musicians in the Writings of Lomazzo
https://jewish-music.huji.ac.il/sites/default/files/04%20Traces%20of%20Jewish%20Musicians%20in%20the%20Trattato%20of%20Lomazzo%20-%20M%20Barasch%20pp%2086-88%20title%20p%20abbreves.pdf
Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)
Collector
Editor
1 CD, accompanied by Hebrew and English program notes and texts. Selections of liturgical music of various Jewish communities in Italy, recorded originally by the Italian Jewish ethnomusicologist Leo Levi (1912-1982) from original sources. Contents: prayers, cantillation and hymns for Sabbath, High holidays, festivals, Hannukah, Purim; Songs and hymns for Birth, circumcision and wedding.
Material Type:
Recordings
Year:
2001
Dio Clemenza e Rigore: Hosha`na Rabbah in Casale Monferrato 1733
Hoshna’na Rabbah in Casale Monferrato 1732: Dove in the Clefts of the Rock
Editor
A critical edition of a musical ceremony for the festival of Hosha'ana Rabbah from the Italian Jewish community of Casale Monferato (1732), found in Ms. Ginzburg 807[1] at the Lenin State Library in Moscow. Score for 5-6 voices, strings and oboes. Includes liturgical texts and the cantata "Dove in the Clefts of the Rock". The score is preceded by a historical introduction and a facsimile edition of the original Hebrew libretto.
Material Type:
Scores
Year:
1990
Premitie armoniche a tre voci
Composer
Information from www.worldcat.org: "3 partbooks. Original in Biblioteka Jagiellonska (Pl Kj) ; formerly in the Staatsbibliothek Preussischer Kulturbesitz (D B). On reel with Mus Ms Krakow 40583."
Material Type:
Scores
Year:
1616
Sefer Shirei Yisrael – Libro dei Canti d'Israele
Arrangement
Collection of mainly cantorate works: "Most music is for solo Hazzan; some music also for voice with piano, for solo organ, for solo piano, and for two violas."*
*Worldcat.com
Material Type:
Scores
Year:
1892
Shirei Yisrae – Libro dei Canti d'Israele
"Most music is for solo Hazzan; some music also for voice with piano, for solo organ, for solo piano, and for two violas."
Worldcat.com
Material Type:
Scores
Year:
189-
Singing Modernity: Synagogue Music in Nineteenth and Early Twentieth-Century Italy
A passage by Immanuel ha-Romi on the science of music
Higgajon bechinnor = Betrachtungen zum Leierspiel / des Jehudah ben Joseph Arjeh Moscato
Author
Abhandlung zur Erlangung der Doktorwuerde der philosophischen Fakultaet I der Universitaet Zuerich
Material Type:
Books
Year:
1953
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
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- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.