Jewish music

The Influence of Choral Elements on the Formation and Development of the Piyyût Genres (Hebrew)

Author: 
Ezra Fleischer
https://jewish-music.huji.ac.il/sites/default/files/002%20H%20%20%D7%A2%D7%99%D7%95%D7%A0%D7%99%D7%9D%20%D7%91%D7%94%D7%A9%D7%A4%D7%A2%D7%AA%D7%94%D7%99%D7%A1%D7%95%D7%93%D7%95%D7%AA%20%D7%94%D7%9E%D7%A7%D7%99%D7%9C%D7%AA%D7%99%D7%99%D7%9D%20%D7%A2%D7%9C%20%D7%A2%D7%99%D7%A6%D7%95%D7%91%D7%99%D7%9D%20%D7%95%D7%94%D7%AA%D7%A4%D7%AA%D7%97%D7%95%D7%AA%20%D7%94%D7%A4%D7%99%D7%95%D7%98%20-%20%D7%A2%D7%96%D7%A8%D7%90%20%D7%A4%D7%9C%D7%99%D7%99%D7%A9%D7%A8%20%D7%A2%D7%9E%20%D7%99%D7%97-%D7%9E%D7%97%20%D7%A2%D7%9D%20%D7%A2%D7%9E%D7%95%D7%93%20%D7%94%D7%A9%D7%A2%D7%A8%20%D7%95%D7%A7%D7%99%D7%A6%D7%95%D7%A8%D7%99%D7%9D.pdf

The Term mûsîqah in Mediaeval Jewish Literature (Hebrew)

Author: 
Nehemia Allony
https://jewish-music.huji.ac.il/sites/default/files/01%20%D7%94%D7%9E%D7%95%D7%A0%D7%97%20%D7%9E%D7%95%D7%A1%D7%99%D7%A7%D7%94%20%D7%91%D7%91%D7%A1%D7%A4%D7%A8%D7%95%D7%AA%D7%A0%D7%95%20%D7%91%D7%99%D7%9E%D7%99-%D7%94%D7%91%D7%A0%D7%99%D7%99%D7%9D%20-%20%D7%A0%20%D7%90%D7%9C%D7%95%D7%A0%D7%99%20%D7%A2%D7%9E%20%D7%99%D7%90-%D7%9C%D7%94%20%D7%9B%D7%95%D7%9C%D7%9C%20%D7%9B%D7%95%D7%AA%D7%A8%20%D7%95%D7%A7%D7%99%D7%A6%D7%95%D7%A8%D7%99%D7%9D.pdf

Cross-Repertoire Motifs in Liturgical Music of the Ashkenazi Tradition: An Initial Lay of the Land

Author

The earlier version, entitled “Cross-Repertoire Motifs in the Liturgical Music of Ashkenazi Tradition,” was presented at the World Congress of Jewish Studies, Jerusalem, 2013.  This article is an expanded and elaborated version of that paper.

Material Type: 
Articles
Year: 
2015

Sol Zim

American cantor, composer

Sol Zim is the descendant of five generations of cantors. Zim's father, Samuel Zimelman, served as cantor of the Hochschule Synagogue in Łomazy, Poland, and Congregation Shaarey Tphiloh in Portland, Maine.

1939-

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