Kabalat Shabat
Music Subjects in the Zohar: Texts and Indices
Author
Co-author
A compilation of passages from the Book of Splendor, the main medieval text of Jewish mysticism, addressing non-verbal sound, song and singing (celestial and human). Indices cross relate between subjects and concepts treated in diverse passages
Material Type:
Books
Year:
1977
, "Der vaser gezang" : on drama and musical interpretation in Aaron Zeitlin’s play "Jacob Jacobson".
Written by: Livnat Aviv
Material Type:
Articles in Journals
Year:
2008
Music in Mysticism
Author
The article was first published in April 1895 in "Music"
Material Type:
Articles in Books
Die Wiederentdeckung der esoterischen Musiklehre? Grundriss der Harmonik
Author
Unpublished manuscript. In Sholem Collection, Jewish National and University Library, Jerusalem (Call No. 15812.2)
Material Type:
Books
Die Mystik und Magie der Zahlen : arithmetische Kabbalah : Zahlenmystik des Himmels, der Musik, der Natur
Meditation, Musik und Tanz : über den Handpsalter, eine spätmittelalterliche Meditationsform aus dem Rosetum des Mauburnus
Author
Mombaer, Jan, d. 1503. Rosetum exercitiorum spiritualium et sacrarum meditationum
Meditation, including yoga exercises, autosuggestion, Silva method, self-hypnosis, rebirthing, as a means of personal improvement, relaxation.
Material Type:
Books
Year:
1976
Singen und ekstatische Sprache in der frühen jüdischen Mystik
Cabala y musica
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.