Amb la doçor (SMR Bresler Collection)
Performer
Performer
En el vergel
Yo m'enamori
Puncha, puncha
En el mes de mayo
Arvoles
Hija mía
Material Type:
Recordings
Year:
1994
Cancionero Sefardí de Turquía (SMR Bresler Collection)
Performer
Yo le mandi a mi novio
Cuatro muchachicas
De día en día
Ya viene la tasa
Un dicho me tienes dicho
Las de la novia
Y mires mi hija
Los caminos de Serkiği
Una tadre de enverano
Esto quien lo culpa
Oh, qué hermosa hija
Al kahl me entrí
Si queres saber
Más ariba y más ariba
Así bivas el soldado
De las altas mares
Q'amanezca, q'amanezca
Material Type:
Recordings
Year:
2004
Danses de Rabbi Jacob, Les(SMR Bresler Collection)
Chants et musiques des mondes judaïques (SMR Bresler Collection)
Performer
Also released as `Chants et musiques des mondes judaïques; Danses de Rabbi Jacob, Les.`
Distributed by Darrere.
Contents:
A la una yo naci
Avre tu puerta cerrada
Material Type:
Recordings
Year:
1980
Chant, Danses et Musiques des Traditions Juives (SMR Bresler Collection)
Performer
Also released as `Chants et musiques des mondes judaïques; Danses de Rabbi Jacob, Les.`
Distributed by Darrere.
Contents:
A la una yo naci
Material Type:
Recordings
Year:
1980
El tambor del océano (SMR Bresler Collection)
Performer
Mes de mayo (El prisionero)
Por la tu puerta yo pasí
Buena semana
Tres hijas
Si este niño se durmiera
En la mar
Daile a cenar
Morena me llaman
Puncha puncha
A la una nací yo
The songs `Daile cenar` and `Morena me llaman` are wedding songs. The song `Buena semana` is a paraliturgical song of the Havdala ceremony.
Material Type:
Recordings
Year:
1998
Songs of the Sephardic Heritage (SMR Bresler Collection)
Performer
Monastir tradition.
Contents:
Od'cha
Baruch haba
Yo m`enamori d`un aire
Yigdal
V'shamru
Shuva limonach
Por una caza chika
Tsur mishelo
`Scalerica de oro
Amen
Material Type:
Recordings
Year:
1976
Musikalische Volkskunst Spaniens (SMR Bresler Collection)
Performer
Folklore of Spain
Contents:
Oh que relumbror
Madre, un mansevico
Arvoles lloran por lluvias
Asentada está la reina
Státe, státe Andarleto
Moriscos, los mis moriscos
Dizme un "si"
Camini por altas tores
Noches, noches, buenas noches
Durme, durme querida donzella
No vo comer
Morena me llaman
Material Type:
Recordings
Year:
1968
Greatest Sephardic Hits (SMR Bresler Collection)
Performer
Harvard. LP 1558
Contents:
Adio
Que ye por ti
Ke eshmerah
Material Type:
Recordings
Year:
1983
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.