Meter

Melody and Poetry in the “Kuzari” (Hebrew)

Author: 
Nehemia Allony
https://jewish-music.huji.ac.il/sites/default/files/001%20H%20%D7%94%D7%A0%D7%99%D7%92%D7%95%D7%9F%20%D7%95%D7%94%D7%A9%D7%99%D7%A8%D7%94%20%D7%94%D7%A7%D7%95%D7%96%D7%A8%D7%99%20-%20%D7%A0%D7%97%D7%A6%D7%99%D7%94%20%D7%90%D7%9C%D7%95%D7%A0%D7%99%20%D7%A2%D7%9E%20%D7%96-%D7%99%D7%96%20%D7%95%D7%A2%D7%9E%D7%95%D7%93%20%D7%94%D7%A9%D7%A2%D7%A8%20%D7%A2%D7%9D%20%D7%A7%D7%99%D7%A6%D7%95%D7%A8%D7%99%D7%9D.pdf

Preliminary thoughts toward the study of music without clear beat: the example of 'flowing rhythm' in Jewish nusah

Attempts to conceptualize and illustrate the problem of rhythmic structures without a clear beat, that is, structures which are commonly called free or flowing rhythm. A theoretical framework is proposed for the analysis and transcription of such music.

Material Type: 
Articles in Journals
Year: 
Spring-Summer 1993

Transcription de la pulsation, de la metrique et du "rhythme libre" [Transcription of the pulse, meter, and "free rhythm"]

Collection title: Cahiers de musiques traditionnelles. XII (1999): Noter la musique Analyzes in detail two examples of transcription of monophonic music with complex rhythmic strata that interact in subtle and fluid ways: , a partially improvised Hungarian traditional song of the genre practiced chiefly in Transylvania, and the benediction section of the , an Ashkenazi prayer celebrating the exodus of the Jewish people from Egypt.

Material Type: 
Articles in Journals
Year: 
1999

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