One of the first attempts to trace the archaeology of the concept of Jewish music in relation to the challenges posed by modernity to traditional Judaism and the emergence of the concept of nation among Jews in Europe.
Collection of synagogue recitatives and choruses: Compositions for High Holidays, Sabbath, Holidays, Thish'a Be'av, Marriages and Funerals, and two choral settings of Psalms verses.
This is a standard version of the four questions of the Seder, sung in the learning formula of the East European Heder and common among the Hasidim. The first version is in Hebrew only, and the second juxtaposes the Hebrew and the Yiddish versions, phrase by phrase.
Attempts to conceptualize and illustrate the problem of rhythmic structures without a clear beat, that is, structures which are commonly called free or flowing rhythm. A theoretical framework is proposed for the analysis and transcription of such music.
A bi-monthly journal of the General Organization of German Cantors. Contained some important articles on nusah and modes.
The scholarly organ of the Orthodox cantorate in America. Features articles on halakhic problems of synagogue music and liturgy, and on traditional nusah and hazzanut.
88 compositions for Hazzan and choir for the High Holidays, as well as 15 Recitatives for Hazzan alone
26 compositions for Hazzan and choir for Shabbat and Festivals, as well as 13 Recitatives for Hazzan alone
140 Recitatives for Selihot and the High Holidays
239 Recitatives for the High Holidays; congregational singing; composition for two voices; 10 Recitatives for radio and concert performance; 36 Hassidic melodies
