Yiddish Theater: A Love Story
Directed by Dan Katzir
Material Type:
Films
Year:
2006
Terezin Music Foundation
This website is dedicated to the preservation, performance, and research of the music written by composers who perished during the Holocaust, with a special emphasis on those in Theresienstadt. Includes information about the foundation's research activities, archives, and educational programs, as well as a calendar of upcoming musical performances. (Description found on US Holocaust Memorial Website; Music, Web Resources)
American Society for Jewish Music
The American Society for Jewish Music (ASJM) serves as a broad canopy for all who are interested in Jewish music. Its members include cantors, composers, educators, musicologists, ethnologists, historians, performers and interested lay members - as well as libraries, universities, synagogues and other institutions.
The Musical Performance of Hayom harat olam in Sephardic Communities: On the Use of Notated Sources in Jewish Music Research
Of drums and damsels : women’s performance in ancient Israel
Mother to muse : an archaeomusicological study of women’s performance in ancient Israel
Recycling Biblical Figures; Papers Read at a NOSTER Colloquium in Amsterdam, May 1997. Ed. by Athalya Brenner & Jan Willem van Henten. Leiden: Deo, 1999
Material Type:
Articles in Books
Year:
1999
Hava Nagila
Performer
Performer
Click Here for Slide Show
This entry is part of an online exhibit entitled: "Hava Nagila: From Idelsohn to Belafonte & Beyond," prepared by Eva Heinstein with help from the JMRC staff. To view the exhibit in its entirety click on the link above.
Material Type:
Recordings
Hava Nagila
Performer
Click Here for Slide Show
This entry is part of an online exhibit entitled: "Hava Nagila: From Idelsohn to Belafonte & Beyond," prepared by Eva Heinstein with help from the JMRC staff. To view the exhibit in its entirety click on the link above.
Material Type:
Recordings
Year:
1994
Funny, it doesn’t sound Jewish : how Yiddish songs and synagogue melodies influenced Tin Pan Alley, Broadway, and Hollywood
Author
An attempt to demonstrate the deep layers of "JM" embedded in the popular American song by analyzing a plethora of examples showing the presence of innuendos, motives, paraphrases or flat quotations of music deriving from "authentic" Jewish repertoires (mostly liturgucal).
Material Type:
Books
Year:
2004
Opera in the Nazi Period
Author
Editor
Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies Details the efforts to recreate the German opera repertoire to reflect Nazi political and cultural ideology. Includes an appendix listing the first performances of all contemporary operas performed in Nazi-controlled areas of Central Europe.
Material Type:
Articles in Books
Year:
2000
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.