Sacred service / Salamone Rossi
Arrangement
A selection from Salamone de Rossi's Ha-shirim asher li-Shelomo arranged as a service for cantor, chorus, and organ. Words in transliterated Hebrew.
Material Type:
Scores
Year:
1954
The music used in the services of the West London synagogue of British Jews
Composer
These volumes are a collection of compositions of services of the Reform Judaism movement. They were composed for the West London synagogue, of which Salaman was a member of. They are written with organ accompaniment. The collection was edited by and edited by C. C. Verrinder.
Material Type:
Scores
Year:
1892?
Sabbath Morning Service
Composer
Musical setting for the Shabbath morning service using the Union Prayer Book. Arrangement for cantor, chorus [SA] and organ.
Material Type:
Scores
Year:
1950
Day of Atonement, Eve of Atonement
Composer
Collection of original compositions and arrangements for the Yom Kippur Service.
Material Type:
Books
Year:
1913
New Year Evening and Morning
Composer
Collection of original compositions and arrangements for the Rosh Hashanah Service.
Material Type:
Books
Year:
1910
V’shomru
Composer
Composition for cantor, SATB and organ, arranged by Herbert Fromm.
Material Type:
Scores
Year:
1954
Todah w’simrah
Composer
Arragnements for Shabbat and Festival liturgy for choir and organ. The collection was published in two volumes from 1876-1882.
Material Type:
Scores
Year:
1876
Lebensbilder beruehmter Kantoren
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.