Towards a Study of the Linguistic Features of the Judeo-Spanish Romances: A Preliminary Appraisal
El Romancero Sefardí y el repertorio romancístico de la Gomera - Estudio comparativo
Author
Actas del COLOQUIO INTERNACIONAL DEL ROMANCERO, LA GOMERA - CANARIAS 20-24 JULIO 2001
Material Type:
Books
Year:
2003
Repertorio tradicional sefardí
Towards a Typology of the Judeo-Spanish Folksong: Gerineldo and the Romance Model
Material Type:
Books
Year:
1994
Romancero Sefardí de Marruecos, Antología de tradición oral
Chants Judéo-Espagnols de Tétouan à Oran. Vol. III (SMR Bresler Collection)
Performer
Kuando el rey Nimrod
Ya rebbi no me le pegis - Mi ninito tyene suenyo
Un iho tyene el rey David
Esta notche de Purim - Purim, Purim... - Aman antes que muryera
Moises salyo de Misrayim - Un kabrito i un kabrito
Desde tchikita en la kuna - Vos labrariya yo un pendon
Un rey de Fransya
Ni kanto por ke m'eskutchen
I abreme kara de rosa
Yo m'enamori de notche
Material Type:
Recordings
Year:
1991
Chants Judeo-Espagnols de Tetouan a Oran. Vol. II (SMR Bresler Collection)
Performer
Hirineldo
Paseabase el uin Sidi
A kasar va el kabayero
Pregonadas son las gerras
Una tarde de verano
Romance de Berjiko: Pensativo staba el polo/Ke se pensara la reyna/Preso yevan a berjiko
En la sivda de Toledo
Paseabase uezo
En ka del buen reye
Material Type:
Recordings
Year:
1988
Chants Judéo-Espagnols de Tétouan à Oran (SMR Bresler Collection)
Performer
Sol la sadikka
Este seviyano
Bibaruenya
La reyna cherifa mora
Una iha tyene el rey
Kuando Ister la reyna
La vida es un pasahe
Eskutchi senyor soldado
Ay madre!
Kuando el rey Selomo
Material Type:
Recordings
Year:
1982
Du désert d'Orient au jardins d'Espagne (SMR Bresler Collection)
Performer
Kuando el rey Nimrod
Yo era nina
O ke mueve mezes
Hija mia
Material Type:
Recordings
Year:
1998
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.