Contrafactum
A Hassidic Exemplum in a Judeo-Spanish Homily from the Early 19th Century: A New Source on ‘Secular’ Music in Synagogal Singing.
Shalom Music of the Jewish People
Performer
Performer
Composer
Performer
Performer
An eccletic collection of Hebrew, Yiddish, secular, liturgical, Klezmer, Swing music, and more. The album includes the following tracks:
1. Hatikvah - Israeli Concert Band
2. My Yiddishe Momme - Sophie Tucker
3. The Cantor - Al Jolson
4. Hello Mama - George Jessel
5. Roumania, Roumania - Aaron Lebedeff
6. My Song Goes 'Round The World - Jisef Schmidt
7. Hebrew Melody - Jascha Heifetz
8. Kaddish - Yehudi Menuhin
Material Type:
Recordings
Year:
1991
Manginoth Shireynu: Hebrew Melodies, Old and New, Religious and Secular
Collector
Click Here for Slide Show
This entry is part of an online exhibit entitled: "Hava Nagila: From Idelsohn to Belafonte & Beyond," prepared by Eva Heinstein with help from the JMRC staff. To view the exhibit in its entirety click on the link above.
Material Type:
Songsters
Year:
1939
Music: A Bibliographical Guide with a Checklist of Notated
Author
A useful resource for research in Sepharadic synagogue chants and secular music.
Material Type:
Articles in Journals
Year:
1993
Sur la poesie et la musique des Juifs de la peninsule balkanique du 15e a 20e siecle
Author
On the poetry and music of the Jews of the Balkan Peninsula from the 15th to the 20th century.
Material Type:
Articles in Journals
Year:
1970
- A Polka Mazurka
- Niggun of the Meggid of Mezerich From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
- Kol B'ru'ei (Padua, Italy) From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
- Yigdal From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
- Eres Chiquita y Bonita From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
- Sweet Shalt Be My Chant From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
- Lyr II From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
- Gilu ha-Galilim (Rejoice Galileans) From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
- Saperi Tama From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.